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Concert 100
Available for HW IV, V, VI, VII & VIII

The Concert 100 provides a comprehensive specification with almost everything that could be required of any concert hall or cathedral sized pipe organ and is capable of performing all of the repertoire. In addition to the normal divisions, the Solo Organ has two sections: a normal selection of Solo stops plus a String section which may be selected independently and coupled to any of the other divisions. Further specialist features such as Melody and Bass couplers whereby the highest or lowest note only of a division can be coupled to another manual allowing for additional flexibility are included.

The organ is now available in standard graphics edition or with the Olivia Nagioff photo graphics and extra features such as a crescendo pedal, Gt. to Ped. Combs. Coupled and sustainers to the Solo etc.

GREAT ORGAN

Contra Gamba 16'

Double Stopped Diapason 16'

Open Diapason I 8'

Open Diapason II 8'

Viol da Gamba 8'

Claribel Flute 8'

Stopped Diapason 8'

Principal 4'

Octave 4'

Flute 4' (Harmonic)

Twelfth 2 2/3'

Fifteenth 2'

Seventeenth 1 3/5'

Grave Mixture III Rks (15:19:22)

Furniture IV rks (19:22:26:29)

Sharp Mixture III Rks (22:26:29)

Cymbel III Rks (29:33:36)

Contra Posaune 16'

Posaune 8'

Clarion 4'

Great Sub Octave +16'

Great Unison Off -8'

Great Octave +4'

SWELL ORGAN

Bourdon 16'

Open Diapason 8'

Rohrflute 8'

Lieblich Gedeckt 8'

Salicional 8'

Viol da Gamba 8'

VDG Celeste 8'

Principal 4'

Lieblich Flute 4'

Octave 2'

Sesquialtera III Rks (12 15 17)

Mixture V Rks (15 19 22 26 29)

Fagotto 16'

Hautbois 8'

Clarinet 8'

Vox Humana 8'

Waldhorn 16' (HP)

Cornopean 8' (HP)

Quint Horn 5 1/3 (HP)

Clarion 4' (HP)

Great Sub Octave +16'

Great Unison Off -8'

Great Octave +4'

CHOIR ORGAN

Bourdon 16'

Open Diapason 8'

Stopped Diapason 8'

Dulciana 8'

Unda Maris 8'

Flute Celeste 8'

Principal 4'

Chimney Flute 4'

Nazard 2 2/3'

Super Octave 2'

Flageolet 2'

Tierce 1 3/5'

Larigot 1 1/3'

Septieme 1 1/7'

Sifflute 1'

Mixture III Rks (22 26 29)

Acuta II Rks (33:36)

Basset Clarinet 16'

Corno di Bassetto 8'

Trumpet 8'

Great Sub Octave +16'

Great Unison Off -8'

Great Octave +4'

SOLO ORGAN

*Contrabass 16'

*Viol d'Orchestre 8'

*VDO Celeste 8'

*Viol da Gamba 8'

*VDG Celeste 8'

*Muted Viol 8'

*Muted Viol Celeste 8'

*Violetta 4'

*Violetta Celeste 4'

*Cornet des Violes III Rks (10:12:15)

Orchestral Flute 8'

Traverse Flute 4'

Piccolo 2'

Bassoon 16' (Orchestral)

Orchestral Oboe 8'

Orchestral Clarinet 8'

French Horn 8'

Grand Chorus VII Rks (15:19:22:26:29:33:36)

Tuba Mirabilis 8'

Imperial Trumpet 8'

Great Sub Octave +16'

Great Unison Off -8'

Great Octave +4'

PEDAL ORGAN

Double Open Diapason 32'

Sub Bourdon 32'

Open Wood 16'

Open Diapason 16'

Violone 16'

Bourdon 16'

Echo Bass 16'

Quint 10 2/3'

Principal 8'

Viola 8'

Bass Flute 8'

Choral Bass 4'

Flute 4'

Mixture IV Rks (12 15 19 22)

Contra Bombarde 32'

Bombarde 16'

Ophicleide 16'

Fagotto 16'

Tromba 8'

Octave Trumpet 4'

PERCUSSIONS ETC.

Harp (Choir)

Celesta (Choir)

Chimes (Great)

Xylophone (Swell)

Glockenspiel (Solo)

Carillon (Solo)

N.B. The string section (*) is treated as a separate division and can run independently of the other stops in the Solo division. It has its own discrete couplers.

In addition to the Octave and Sub Octave couplers found in each manual division, there is a comprehensive range of standard inter-manual and pedal couplers.

Due to restrictions of space in the single screen layout inter manual octave and sub octave couplers are not shown. They can be found on the individual split screen layouts.

A bass coupler is provided which allows for the lowest note of a chord played on the Great Organ to play the Pedal Organ stops.

A Melody coupler is provided which allows the topmost note of a chord played on the Great Organ to play the Solo Organ stops.

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The Concert 100 Deluxe features photo graphics and several additional features which have been developed by Olivia Nagioff.

Obviously, it's a little difficult to create a "photo" console when there is no real life model to use as the source for photographs but the results speak for themselves.

Whilst the sample set remains exactly the same tonally as the non deluxe model which uses Hauptwerk graphics in terms of the sampled stops, several new features have been incorporated.

1.Great to Pedal Combinations Coupled

2. Sustainers to the Swell and Solo divisions

3. A programmable Crescendo pedal

4. Additional single switches to cancel stop noise and key noise in addition to the blower noise.

Deluxe Version Screenshots

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The initial release is presented close sampled and dry. A convolved wet version may be available at a later date depending on feedback received.

Concert 100: £555.00

Please note that there is an upgrade path available for all libraries in a particular series. This allows customers with a smaller library to upgrade to a larger one at a minimal cost. Please contact us for prices.

Customers who have purchased a specific sized library can access any of the libraries that are smaller in size by purchasing relevant ODF at a minimum cost.

Within certain parameters, it is possible to change the specification of any of the Concert Series libraries at minimal cost however, this is limited to the relatively simple substitution or replacement of individual stops within the same basic framework of the specification. Alterations that require changes to the positioning or layout of a particular specification can also be carried out but are subject to a considerably larger charge due to the considerable amount of time required to carry out such changes.

Please note that for those users with the original 100 stop version, there may be a charge for upgrading to the Deluxe graphics version depending on when purchased and how much was originally paid for the set.

Prices shown are for domestic use ONLY and are licenced through the Hauptwerk dongle protection system (included in the price). They are available as downloads from this website or on DVD's / USB pen drives at extra cost. These sets are also available including an user editable CODM file for more flexible or commercial usage on request.

Sample Sets

We have been involved with church organs for nearly five decades. Initially working with conventional pipe organs, we moved into the world of pipeless instruments during their rapid technological expansion in the last quarter of the twentieth century.

With over 30 years experience in creating sample sets for organs for other digital organ manufacturers and since 2003, for the Hauptwerk software platform, we are one of the longest established sample set producers.

In addition to our "off the shelf" sample sets of existing or composite instruments, we are also able to create custom instruments to suit individual requirements.

We have a library archive of many hundreds of stops to choose from sampled from instruments throughout the UK and elsewhere.

DISCOVERIES

This page has come into being as a result of some of my observations regarding YouTube in another earlier posting.

How often do we come across things which "open our eyes and ears" by accident or perhaps because someone has recommended something that we were previously unaware of. For me personally, during my lifetime, I have been introduced to many pieces of music etc. in passing which I would never have discovered if someone hadn't told me.

Therefore, the purpose of this page is to introduce visitors to all sorts of things that they might otherwise not have discovered. For the most part these "discoveries" are to do with music or performances of music but there may be some that are unrelated to music or organs in any way and are included because they are just interesting.

Of course, many who read my website pages will already be totally aware of some of the composers, pieces or performances that I intend to suggest but some will have a far wider knowledge of a particular composer or their pieces than I could ever hope to have. In other cases, my suggestions may be completely new. Some may have a note(s) attached, others not. Obviously, my leanings are towards the classical side and also towards the organ but I can be quite eclectic in my musical likes and dislikes so there will be other genres.

It is quite likely that as a result of this page, readers may suggest their own discoveries to me (via email), and some of these will be totally new to me. These may therefore warrant inclusion here.

One other aspect of this is that having been introduced to a composer or a performer, this may very well lead to the discovery of more of the works of a particular composer or performer by readers / listeners.

I will start the ball rolling with the following.............................

Jacob Collier: World O World:

I first discovered the remarkable Jacob Collier a year or so ago and was very impressed with his work. I can't say that I like everything he does but there are some things that he has done that are quite mind blowing. His 'a capella' multi-track singing certainly warranted the several Grammy awards that he has achieved but lately he has penned some highly original songs which are very pleasant. However, it is his World O World that is stunning in its emotional impact especially at the end. What an incredible choir and what an incredible sound.

Jacob Collier - World O World (Official Score Video)

Poulenc: Concerto for two pianos:

I have known this particular piece for many years along with his Concert Champetre, Aubade, Piano concerto (single) Organ Concerto and Les Biches to name just a few of his works. Obviously, I like Poulenc a lot however, this performance by the Jussen Brothers stands out particularly. The Jussen brothers are quite a phenomenon in themselves and it is worth listening to their other YouTube presentations. The whole concerto is very fine but I have chosen the second movement as being particularly excellent as an introduction.

Lucas & Arthur Jussen – Poulenc Concerto For Two Pianos | Second Movement (2017)

Just purely for fun, check out their Strauss Die Fledermaus encore as well.........

Rachmaninov: Piano concertos

The Rach. concertos are so very well known to almost everyone. Which one is anybody's favourite probably vies between No 2 and No. 3 with possibly No. 3 coming out on top. No 1 and No 4 tend to be performed rather less. There are of course that many performances and most of them are fairly excellent so it is difficult to single out individual performances.

I always liked the Earle Wild performances but thanks to YouTube, I have recently discovered several others. Sticking with Rach 3, I suppose the one that really comes out on top for me is the Alexander Gavrylyuk Proms performance conducted by Thomas Dausgaard. I find the Daniil Trifonov performance quite mesmerising because he is so completely manic and I quite like the Alexandеr Malofeev performance but it doesn't quite reach the emotional heights of the other two. However, what completely blows my mind is the SOLO performance (piano and orchestral transcription) by Christopher Falzone (very tragically no more) who has YouTube performances of both no 2 and No 3. There are a few others by other arrangers mostly Far Eastern performers but the Falzone performances take some beating.

Rachmaninoff-Falzone Concerto op. 30/3 (transcribed and performed by Christopher)

Nikolai Medtner: The 3 Piano Concertos

Rachmaninov and Tchaikowski are certainly the best known Russian composers of piano concertos and many people won't have heard of Medtner but there is more written about him in Groves than Rachmaninov. Rachmaninov is certainly very difficult to play but many consider that Medtner is even more difficult.

Undoubtedly, the second concerto is perhaps the most attractive but the launch of the first concerto is bold to say the least with its melodramatic theme. All three concertos are very fine but they weren't heard until relatively recently and it was only thanks to the Maharajah of Mysore that recordings of his works came to be heard in the first place.

There are several YouTube performances of many of Medtner's works now and his output was quite large. I prefer the (Chandos) recordings by Geoffrey Tozer given the choice. You can hear Medtner's own performance as well although it dates from 1947 and understandably lacks the clarity of later performances. As an introduction, I suggest No 2 which can be found at:

Nikolai Medtner : Concerto No. 2 in C minor for piano and orchestra Op. 50 (1926-27)

How shall I sing that Majesty

It was only fairly recently that I discovered this hymn written by Ken Naylor and it has certainly become one of my favourites and it seems I am not alone in this. It is also known as Coe Fen

However, in my search on YouTube I was accidentally led to something completely different which I find is quite magical.

Also titled How shall I sing that Majesty, it is an entirely different piece by Robert Prizeman and sung by a very beautiful sounding boy's choir called Libera (who I had never come across before either). There are several performances available but I rather like the one from the Washington Basilica which is very atmospheric.

Libera in America: How shall I sing

Hedwig's Theme transcribed for organ

I have long been a fan of John Williams who has composed so much memorable music for film and I certainly enjoyed watching the Harry Potter films. I came across this absolutely phenomenal organ transcription whilst searching for something else completely. This transcription is amazing and the filming is pretty creative too. I had not come across Esther Assuied before, but I certainly look forward to hearing a lot more from her.

Harry Potter - Hedwig's Theme on Pipe Organ - Esther Assuied

Hardware

We can supply everything that might be required for a pipeless organ installation from the basic console, amplification and speakers to the computers, software and audio interfaces needed.

The various components are sourced from a number of specialist established manufacturers and supply houses most of whom we have been involved with for many years.

In addition, we have a number of contacts who specialise in obtaining and converting former consoles for use with the Hauptwerk platform.

Contact Information

For further information, please email us at

E-mail:

charlesbraund@gmail.com

info@silveroctopus.co.uk

N.B. Some sample sets may not work with basic older versions of Hauptwerk or the entry level version of the new Hauptwerk V and above because these editions do not include some of the features that are necessary for our libraries to work fully on the Hauptwerk platform.

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Concert 100Available for HW IV, V, VI, VII & VIII

GREAT ORGAN

SWELL ORGAN

CHOIR ORGAN

SOLO ORGAN

PEDAL ORGAN

PERCUSSIONS ETC.

Deluxe Version Screenshots

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Concert 100
Available for HW IV, V, VI, VII & VIII