N.B. Special licencing conditions apply to this library; please see below.
For commercial installations such as Campaniles or church towers, we are able to supply specially designed hardware (including clock synchronised automation) plus full installation facilities with suitable speakers etc. Please contact us for further details.
A peal of 8 bells based on F#. The bells are situated in one of the highest parish churches in England at 1200' above sea level. These bells were originally sampled for use by the BBC and have been regularly broadcast on radio either as stand alone or as part of an instrumental ensemble.The ring is well known and is considered to be particularly fine. Considerable time was spent in finding a ring suitable for sampling since most are to be found in the centre of towns where traffic and other noise makes it impossible to achieve any usable sample. Ringing bells in the middle of the night is generally not accepted either. Initially, we tried sampling the bells as struck by a leather hammer but this was not effective. The only way in which we could achieve the true sound of a ringing bell was to allow each bell to fall and strike as they would in real life and hope that we would not catch a second strike as the bell stopped swinging. This required great skill by the bell ringer together with numerous attempts for each bell sample. We have also included some noise samples of the frame, pulleys and ropes which can be used as required.
MP 3 Demos
(Diatonic 8 in F# -Long Sustain).
https://hidrive.ionos.com/lnk/CwJgKiJ5
(Diatonic 8 in F#) 40 changes on 6 bells with narrower stereo separation.
https://hidrive.ionos.com/lnk/U1pgqjpH
(Diatonic in G) As above but with original stereo separation
https://hidrive.ionos.com/lnk/leJgq5z1
(Carillon 61)
https://hidrive.ionos.com/lnk/IyJgKpLc
(Carillon 61)
https://hidrive.ionos.com/lnk/64JAq2AS
There are several separate sets in the library as follows:-
All samples are at 48k-16 bit
1. Diatonic 8 Bell set based on the original 8 bells. There are 3 sustain settings Long, Medium and Short plus a separate "Hour Bell". The bells are mapped to the centre of a 5 octave keyboard (F# below middle C to F# above). The Diatonic sets have been created so that players will not deviate from the original bell notes. Playing a note which is NOT in the diatonic scale will produce no sound. In addition the Diatonic 8 set has 10 sound effects covering rope noise, frame noise and click.
2. As above but with all samples pitch shifted up a semitone and mapped from G below middle C to G above. This has been done to assist those who have difficulty handling the F# Major scale.
3. Chromatic 12 Bell set based on the original 8 bells using advanced random pitch shifting processing. There are 3 sustain settings Long, Medium and Short plus a separate "Hour Bell". The bells are mapped to the centre of a 5 octave keyboard (F# below middle C to F# above). Adjacent samples are different rather than merely being pitch shifted up a semitone from the adjacent sample.
4. As 3. but with all samples pitch shifted up a semitone and mapped from G below middle C to G above.
N.B. The above 4 libraries retain the original tuning of the bells (slightly sharp of A440).
5. A 61 note carillon created from the original 8 bells. Long and short sustain versions plus Sub Octave, Unison Off and Octave couplers. The "Hour Bell" has been retained. The samples in the Carillon library have been retuned to A440 as closely as possible so that they can be used as part of an Hauptwerk organ. However, due to the nature of bells, there will be some minor tuning differences to the tempered scale on some notes.
N.B. For purchasers of the larger Concert Series libraries, the basic Chromatic set and the Carillon are included for free.
£50.00
IMPORTANT
The above set is for personal home use and research ONLY. Where the bells or a carillon are to be used in a public environment, different licencing conditions and libraries apply. An annual usage charge or one off payment terms are available. For commercial suppliers of hardware bell products various terms are available. Please contact us for further details.
Sample Sets
We have been involved with church organs for nearly five decades. Initially working with conventional pipe organs, we moved into the world of pipeless instruments during their rapid technological expansion in the last quarter of the twentieth century.
With over 30 years experience in creating sample sets for organs for other digital organ manufacturers and since 2003, for the Hauptwerk software platform, we are one of the longest established sample set producers.
In addition to our "off the shelf" sample sets of existing or composite instruments, we are also able to create custom instruments to suit individual requirements.
We have a library archive of many hundreds of stops to choose from sampled from instruments throughout the UK and elsewhere.
DISCOVERIES
This page has come into being as a result of some of my observations regarding YouTube in another earlier posting.
How often do we come across things which "open our eyes and ears" by accident or perhaps because someone has recommended something that we were previously unaware of. For me personally, during my lifetime, I have been introduced to many pieces of music etc. in passing which I would never have discovered if someone hadn't told me.
Therefore, the purpose of this page is to introduce visitors to all sorts of things that they might otherwise not have discovered. For the most part these "discoveries" are to do with music or performances of music but there may be some that are unrelated to music or organs in any way and are included because they are just interesting.
Of course, many who read my website pages will already be totally aware of some of the composers, pieces or performances that I intend to suggest but some will have a far wider knowledge of a particular composer or their pieces than I could ever hope to have. In other cases, my suggestions may be completely new. Some may have a note(s) attached, others not. Obviously, my leanings are towards the classical side and also towards the organ but I can be quite eclectic in my musical likes and dislikes so there will be other genres.
It is quite likely that as a result of this page, readers may suggest their own discoveries to me (via email), and some of these will be totally new to me. These may therefore warrant inclusion here.
One other aspect of this is that having been introduced to a composer or a performer, this may very well lead to the discovery of more of the works of a particular composer or performer by readers / listeners.
I will start the ball rolling with the following.............................
Jacob Collier: World O World:
I first discovered the remarkable Jacob Collier a year or so ago and was very impressed with his work. I can't say that I like everything he does but there are some things that he has done that are quite mind blowing. His 'a capella' multi-track singing certainly warranted the several Grammy awards that he has achieved but lately he has penned some highly original songs which are very pleasant. However, it is his World O World that is stunning in its emotional impact especially at the end. What an incredible choir and what an incredible sound.
Jacob Collier - World O World (Official Score Video)
Poulenc: Concerto for two pianos:
I have known this particular piece for many years along with his Concert Champetre, Aubade, Piano concerto (single) Organ Concerto and Les Biches to name just a few of his works. Obviously, I like Poulenc a lot however, this performance by the Jussen Brothers stands out particularly. The Jussen brothers are quite a phenomenon in themselves and it is worth listening to their other YouTube presentations. The whole concerto is very fine but I have chosen the second movement as being particularly excellent as an introduction.
Lucas & Arthur Jussen – Poulenc Concerto For Two Pianos | Second Movement (2017)
Just purely for fun, check out their Strauss Die Fledermaus encore as well.........
Rachmaninov: Piano concertos
The Rach. concertos are so very well known to almost everyone. Which one is anybody's favourite probably vies between No 2 and No. 3 with possibly No. 3 coming out on top. No 1 and No 4 tend to be performed rather less. There are of course that many performances and most of them are fairly excellent so it is difficult to single out individual performances.
I always liked the Earle Wild performances but thanks to YouTube, I have recently discovered several others. Sticking with Rach 3, I suppose the one that really comes out on top for me is the Alexander Gavrylyuk Proms performance conducted by Thomas Dausgaard. I find the Daniil Trifonov performance quite mesmerising because he is so completely manic and I quite like the Alexandеr Malofeev performance but it doesn't quite reach the emotional heights of the other two. However, what completely blows my mind is the SOLO performance (piano and orchestral transcription) by Christopher Falzone (very tragically no more) who has YouTube performances of both no 2 and No 3. There are a few others by other arrangers mostly Far Eastern performers but the Falzone performances take some beating.
Rachmaninoff-Falzone Concerto op. 30/3 (transcribed and performed by Christopher)
Nikolai Medtner: The 3 Piano Concertos
Rachmaninov and Tchaikowski are certainly the best known Russian composers of piano concertos and many people won't have heard of Medtner but there is more written about him in Groves than Rachmaninov. Rachmaninov is certainly very difficult to play but many consider that Medtner is even more difficult.
Undoubtedly, the second concerto is perhaps the most attractive but the launch of the first concerto is bold to say the least with its melodramatic theme. All three concertos are very fine but they weren't heard until relatively recently and it was only thanks to the Maharajah of Mysore that recordings of his works came to be heard in the first place.
There are several YouTube performances of many of Medtner's works now and his output was quite large. I prefer the (Chandos) recordings by Geoffrey Tozer given the choice. You can hear Medtner's own performance as well although it dates from 1947 and understandably lacks the clarity of later performances. As an introduction, I suggest No 2 which can be found at:
Nikolai Medtner : Concerto No. 2 in C minor for piano and orchestra Op. 50 (1926-27)
How shall I sing that Majesty
It was only fairly recently that I discovered this hymn written by Ken Naylor and it has certainly become one of my favourites and it seems I am not alone in this. It is also known as Coe Fen
However, in my search on YouTube I was accidentally led to something completely different which I find is quite magical.
Also titled How shall I sing that Majesty, it is an entirely different piece by Robert Prizeman and sung by a very beautiful sounding boy's choir called Libera (who I had never come across before either). There are several performances available but I rather like the one from the Washington Basilica which is very atmospheric.
Libera in America: How shall I sing
Hedwig's Theme transcribed for organ
I have long been a fan of John Williams who has composed so much memorable music for film and I certainly enjoyed watching the Harry Potter films. I came across this absolutely phenomenal organ transcription whilst searching for something else completely. This transcription is amazing and the filming is pretty creative too. I had not come across Esther Assuied before, but I certainly look forward to hearing a lot more from her.
Harry Potter - Hedwig's Theme on Pipe Organ - Esther Assuied
Hardware
We can supply everything that might be required for a pipeless organ installation from the basic console, amplification and speakers to the computers, software and audio interfaces needed.
The various components are sourced from a number of specialist established manufacturers and supply houses most of whom we have been involved with for many years.
In addition, we have a number of contacts who specialise in obtaining and converting former consoles for use with the Hauptwerk platform.
Contact Information
For further information, please email us at
E-mail:
charlesbraund@gmail.com
or
info@silveroctopus.co.uk
N.B. Some sample sets may not work with basic older versions of Hauptwerk or the entry level version of the new Hauptwerk V and above because these editions do not include some of the features that are necessary for our libraries to work fully on the Hauptwerk platform.